Spaces for learning

Raphael Gallery at the V&A

Room 48a: The Raphael Gallery at the V&A

Ludi (@ludiprice) and I attended the preview of Wedding Dresses 1775-2014, currently showing at the V&A. The exhibition is gorgeous, so do go if you can, but what stuck me was not so much the dresses as the feeling whilst we were gazing at them, wandering around in the darkish space, watching all the videos and learning all the time. Why isn’t going to university quite like that? Why are the spaces not so conducive to engaging with material? It could be the cost – I admired the videos playing silently in the recesses of the fabulous domed ceiling about us; Ludi agreed: “.. but we need a dome …”, although I am not sure that cost is everything. The classrooms at City are undergoing an expensive refit – with a theme that reminds me of the barbie doll furniture I used to play with as a child, reinterpreted in 21st century windowless bunkers. What is taught in these rooms and what is learnt? I hope nobody thought to consider these questions, but I have a suspicion that, depressingly, this is a considered, contemporary vision of learning space.

We left the wedding dresses and wandered into the Raphael Gallery (shown above). “The game is,” I explained, “to come here just before closing time, and wait until you are the last person in the room – then for a few moments, in this calm, cathedral like space, all the Raphael paintings here exist just for you…”.

When we ask students to pay £9,000 a year to study face-to-face, we should be confident that we can at least offer a physical space which instills a feeling of timelessness, inspiration, connection with others and above all, a desire to learn.

What spaces say to each of us is subjective, and often personal. But there are spaces which many of us, collectively feel inspired by. Spaces which encourage us to pay attention, to realise that something interesting and important is being communicated. Spaces which objectively promote not just the learning process, but the desire to learn. They are somewhat elusive in today’s educational landscape however.

.. obligatory wedding dress ..

Stunning contemporary dress from Ian Stuart Bride (http://www.ianstuart-bride.com/)

My name is Lynxi … I am an academic

What is a LIS degree? This question is a favourite concern to me as director of a postgraduate LIS programme (#citylis). Surrounded by rocketing costs for the professional masters, piled on top of hiked-up undergraduate fees and set in the midst of global economic uncertainty, there is the very real question of why anyone would choose to enrol on a face-to-face taught course instead of learning on the job.

Leaving aside for the moment, the choice of which subjects should be presented in the classroom, our slant at #citylis has always been on an academic focus, emphasizing the theoretical principles underlying professional practice.

Unsurprisingly, we face the occasional suggestion that it might be better to teach more about what people actually do in the workplace. This latter approach has always seemed short sighted to me. Skills I used in the workplace 5 years ago are already sliding from dinner party conversation (command line searching anyone?) and I am constantly being reminded that what employers value most are those harder-to-quantify skills, which start with ‘excellent oral and written communication’ and run through to the pinnacle of ‘flexible thinker’.

Whilst it is difficult to find an agreed upon definition of  ‘flexible thinking’, let alone ensure its presence in the curriculum, it is unlikely to emerge from a purely vocational based course. Our belief is that thinking skills develop from academic study. That is to say, if you want to learn to think, practice thinking.

But there is more to a successful career than being able to pronounce on theory. It is important to show how theoretical principles can be used to deliver results in the workplace. Here again, practice is the key, and to this end we augment our research based content with practical examples delivered by leading practitioners. This blended approach has received two welcome validations recently. The first by Andrew Preater (@preater) comes in his concise blog posting Reflections on the LIS Professional Qualification where he writes:

Personally I do not think the LIS masters should be vocational training to provide specific practical knowledge to do library work.

Rather I see the value in masters-level education of providing enough theory and knowledge of general principles that a library worker can bridge the gap between theoretical understanding and practical understanding developed in our professional practice.

The second comes from Diane Pennington, speaking at a Symposium organized by McGill University’s iSchool, (reported in InsideASIS&T Oct/Nov 2013, 40(1) p 16) who argued against divisions in the curriculum between those intent on a vocational career, and those aiming for PhD study.

All of this should be obvious, but the situation often seems a little hopeless to those of us who are constantly called upon to justify the existence of our cross-disciplinary, academic curriculum in terms of immediate job skills and learning outcomes. It is good to stand back and remind ourselves of the bigger picture. In our academic approach, we are laying the foundations of resilience and adaptability that will support a life-long career, rather than just a first position.